Frequency Range Measures in Carnatic Singers.
Identifieur interne : 000286 ( Main/Exploration ); précédent : 000285; suivant : 000287Frequency Range Measures in Carnatic Singers.
Auteurs : Madhumitha Venkataraman [Inde] ; Prakash Boominathan [Inde] ; Aishwarya Nallamuthu [Inde]Source :
- Journal of voice : official journal of the Voice Foundation [ 1873-4588 ] ; 2020.
Abstract
BACKGROUND
Frequency range measures in singers reflect their physiological capacity, vocal flexibility, training effects, strengths, and limitations in singing. Since this information is vital for pedagogic and clinical purposes, this study aimed to measure the frequency range in Carnatic singers while singing different aspects of the vocal music.
METHOD
Practice task (gliding from lowest to highest note) and performance task (singing a song with vocal ornaments) were recorded from 55 trained Carnatic singers (40 females and 15 males). The auditorily verified portions of various vocal ornaments in Carnatic singing (such as aalapanai, pallavi, anupallavi, charanam, and niraval) were coded as separate tokens. A total of 385 tokens were analyzed using PRAAT software for estimating frequency range in semitones during practice task (SFR
RESULTS
SFR
CONCLUSION
This study described the frequency range measures in various aspects and nuances of Carnatic singing. Its clinical and pedagogic importance are discussed.
DOI: 10.1016/j.jvoice.2020.08.022
PubMed: 32917455
Affiliations:
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Electronic address: prakash_boominathan@sriramachandra.edu.in.</nlm:affiliation><country xml:lang="fr">Inde</country><wicri:regionArea>Department of Speech, Language & Hearing Sciences, Sri Ramachandra Institute of Higher Education & Research (Deemed to be University), Chennai</wicri:regionArea><wicri:noRegion>Chennai</wicri:noRegion></affiliation></author><author><name sortKey="Nallamuthu, Aishwarya" sort="Nallamuthu, Aishwarya" uniqKey="Nallamuthu A" first="Aishwarya" last="Nallamuthu">Aishwarya Nallamuthu</name><affiliation wicri:level="1"><nlm:affiliation>Department of Speech, Language & Hearing Sciences, Sri Ramachandra Institute of Higher Education & Research (Deemed to be University), Chennai, India.</nlm:affiliation><country xml:lang="fr">Inde</country><wicri:regionArea>Department of Speech, Language & Hearing Sciences, Sri Ramachandra Institute of Higher Education & Research (Deemed to be University), Chennai</wicri:regionArea><wicri:noRegion>Chennai</wicri:noRegion></affiliation></author></analytic><series><title level="j">Journal of voice : official journal of the Voice Foundation</title><idno type="eISSN">1873-4588</idno><imprint><date when="2020" type="published">2020</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p><b>BACKGROUND</b></p><p>Frequency range measures in singers reflect their physiological capacity, vocal flexibility, training effects, strengths, and limitations in singing. Since this information is vital for pedagogic and clinical purposes, this study aimed to measure the frequency range in Carnatic singers while singing different aspects of the vocal music.</p></div><div type="abstract" xml:lang="en"><p><b>METHOD</b></p><p>Practice task (gliding from lowest to highest note) and performance task (singing a song with vocal ornaments) were recorded from 55 trained Carnatic singers (40 females and 15 males). The auditorily verified portions of various vocal ornaments in Carnatic singing (such as aalapanai, pallavi, anupallavi, charanam, and niraval) were coded as separate tokens. A total of 385 tokens were analyzed using PRAAT software for estimating frequency range in semitones during practice task (SFR</p></div><div type="abstract" xml:lang="en"><p><b>RESULTS</b></p><p>SFR</p></div><div type="abstract" xml:lang="en"><p><b>CONCLUSION</b></p><p>This study described the frequency range measures in various aspects and nuances of Carnatic singing. Its clinical and pedagogic importance are discussed.</p></div></front></TEI><pubmed><MedlineCitation Status="Publisher" Owner="NLM"><PMID Version="1">32917455</PMID><DateRevised><Year>2020</Year><Month>09</Month><Day>12</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1873-4588</ISSN><JournalIssue CitedMedium="Internet"><PubDate><Year>2020</Year><Month>Sep</Month><Day>08</Day></PubDate></JournalIssue><Title>Journal of voice : official journal of the Voice Foundation</Title><ISOAbbreviation>J Voice</ISOAbbreviation></Journal><ArticleTitle>Frequency Range Measures in Carnatic Singers.</ArticleTitle><ELocationID EIdType="pii" ValidYN="Y">S0892-1997(20)30321-0</ELocationID><ELocationID EIdType="doi" ValidYN="Y">10.1016/j.jvoice.2020.08.022</ELocationID><Abstract><AbstractText Label="BACKGROUND" NlmCategory="BACKGROUND">Frequency range measures in singers reflect their physiological capacity, vocal flexibility, training effects, strengths, and limitations in singing. Since this information is vital for pedagogic and clinical purposes, this study aimed to measure the frequency range in Carnatic singers while singing different aspects of the vocal music.</AbstractText><AbstractText Label="METHOD" NlmCategory="METHODS">Practice task (gliding from lowest to highest note) and performance task (singing a song with vocal ornaments) were recorded from 55 trained Carnatic singers (40 females and 15 males). The auditorily verified portions of various vocal ornaments in Carnatic singing (such as aalapanai, pallavi, anupallavi, charanam, and niraval) were coded as separate tokens. A total of 385 tokens were analyzed using PRAAT software for estimating frequency range in semitones during practice task (SFR<sub>prac</sub>) and performance task (SFR<sub>perf</sub>). Descriptive, ANOVA, Tukey HSD, independent t, and Mann-Whitney U were used for statistical analysis.</AbstractText><AbstractText Label="RESULTS" NlmCategory="RESULTS">SFR<sub>prac</sub> was higher than SFR<sub>perf</sub> in Carnatic singers. During practice, singers explored their physiological range to improve their vocal ability. However, during performance they tend to maintain a comfortable singing range to have a flawless rendition. Aalapanai (most creative portion) had the highest frequency range (females: 22.96 ST, males: 24.57 ST) than other types of vocal ornaments in performance signing. Practice frequency range (SFR<sub>prac</sub>) and performance frequency range (SFR<sub>perf</sub>) were not statistically different across male and female singers.</AbstractText><AbstractText Label="CONCLUSION" NlmCategory="CONCLUSIONS">This study described the frequency range measures in various aspects and nuances of Carnatic singing. Its clinical and pedagogic importance are discussed.</AbstractText><CopyrightInformation>Copyright © 2020 The Voice Foundation. Published by Elsevier Inc. All rights reserved.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Venkataraman</LastName><ForeName>Madhumitha</ForeName><Initials>M</Initials><AffiliationInfo><Affiliation>Physical Medicine and Rehabilitation, Kokilaben Dhirubai Ambani Hospital and Medical Research Institute, Mumbai, India.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Boominathan</LastName><ForeName>Prakash</ForeName><Initials>P</Initials><AffiliationInfo><Affiliation>Department of Speech, Language & Hearing Sciences, Sri Ramachandra Institute of Higher Education & Research (Deemed to be University), Chennai, India. 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